Showing posts with label CLASSICAL. Show all posts
Showing posts with label CLASSICAL. Show all posts

Friday, December 25, 2015

Ho Ho Ho



Leave it to Polish conductor Krzysztof Penderecki to suck all the fun out of Christmas with his haunting, almost hellish Christmas Symphony. Recorded in 1981 with the Polish Radio Symphony Orchestra and a cluster of evocative of vocalists, the symphony is a exactly the opposite of what one would assume from a holiday piece. Dark and foreboding, the music is actually an interpretation of "Silent Night" though listeners will be hard-pressed to discern any details. Discarding the more minimalist/conservative avant-garde style of his earlier works, Penderecki considers his Christmas piece a turning point in his career, what most classical reviewers mark as his maturation into neo-romanticism (I wouldn't be pretentious enough to claim that analysis as my own). Included in the performance is Penderecki's wonderful rendition of Te Deum ("Thee, O God"), an Ambrosian hymn still quite popular in the Catholic Church (evidently during papal ceremony). Equally as unsettling as it's predecessor, the piece and would find itself perfectly at home in any number of cerebral horror flicks (Shining anyone?). Significantly more choral, the last third of the movement is my favorite, a typical Penderecki tradeoff between soprano and baritone that simply sounds ominous and fearful. Enjoy.


Sunday, April 13, 2014

The Song Of Mary



I first became aware of Krzysztof Penderecki from his inclusion on Kubrick's The Shining soundtrack (easily one of my favorite flicks) but it was the deleted segment "Neverwhere Land" on the long-awaited Heavy Metal VHS release that really got me interested in his work. The deleted scene (evidently cut for pacing purposes as well as being stylistically darker than the rest of the film) traces the Loc-Nar influencing evil throughout the ages, from prehistoric time through WWII. Backing the crude animation is Penderecki's "Passacaglia" which I would later learn is the fifth section of his 1975 opus Magnificat. Written between 1973 and 1974, the orchestra is a deeply minimalist soundscape of discord and misery. At best it is what I would imagine Hell sounds like; pained chorals and prolonged, drawn strings. Really amazing stuff - definitely worth checking out.