Sunday, September 8, 2013
First off, I fucking hate country music. That being said, it's been far too long since I have seen a decent rip of this seminal lo-fi classic anywhere so I decided it was time to grit my teeth and reintroduce Jon Wayne's half-assed attempt to cut a C&W record to the world. And who am I fucking kidding, the album absolutely rules. A Texas ('natch) friend of mine enlightened me to its existence - according to Austin urban legend the band is actually the Butthole Surfers drunk as fuck in a recording studio playing some improv material. And if you listen closely... it's not too far-fetched imagining a drunken Gibby slurring his way through the setlist and the picture on the back cover kinda looks like Gibby as well. Yet, I've heard from someone who actually saw the band play live definitively state that it was in no way the Surfers, although "I wouldn't put it past those guys to hire a bunch of half-assed musicians to play for them while they stood in the crowd and had a laugh." And shit - there's been a couple live vids on YouTube since then to snuff out all the mythology as well. Regardless, sit back and prepare yourself for a strange trip down a tired, dusty, whiskey-soaked road of off-key, out-of-tune, primitive cunt-ry music that only gets better as the band gets drunker. I'm amazed the pissed-off engineer (who bitches at the band the whole fucking time) actually saw this one through. "Texas Wine" is easily the standout but nearly every track holds its own - the title track, "Mr. Egyptian," "I've Got Texas"... an amazing 50 minutes. Just don't let your truck end up in the drink... Yip.